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I see On1 as being more in line with Aperture, LR, DXO Optics Pro, and Capture One - those programs are kind of in one box, while Affinity Photo, Photoshop, GIMP, Pixelmator, etc. I'm curious too to see how On1 Photo RAW stacks up, but I wouldn't even begin to think that it will compare to Affinity Photo for the kinds of things it is designed for, no matter how much they be advertising it as an "editor." Nevertheless, my iPad is dying to try out Photo/Designer as native apps! Seems that by diversifying in the way they're doing, they would be able to expand brand recognition as well as the base for testing of bugs and features. I just wish that they could have gone in the iPad direction first and then Windows but I feel this could be selfish on my part. You're right, what do we know! Who are we, as end users, to say that they need 2 years (or 15 years or whatever) for them to mature? Or for their teams to be solid enough? To be fair, I am sure they have some strategy in place. They should have waited for at least two years, until their Mac products were mature enough and the teams solid enough before diversifying. I think they made a big mistake going for the Windows market so soon. as ever, it can disappear as quickly as it appeared. They have been unable to resist going for the massive market that has been dangled in front of them. I guess many others will have reached the same decision.Īffinity have been stunned by their own success (as much through a fluke of timing as their own efforts).
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I'll just have to stick with my CC subscription and Adobe's lack lustre asset management system instead. Like many others, I'm feeling fed up with broken promises. I also notice a slow down in forum activity over the past months. I'm an old timer too, so I'll most likely be past it by then. Now they say development on the DAM hasn't even started and probably won't be available until at least 2018. Then they diverted their resources to develop for Windows causing a predictable slow down on the Mac side - despite what they claim. I bought AP and AD to support Affinity Serif because they were promising a DAM application at the time. You can't 'composite' with Lr or C1 or Aperture. Us old timers used to use the word all the time. the word, or explanation you're all hunting for, to describe what Photoshop and AF-Photo do. Diluting your efforts is a dangerous game.)Īnyway. Windows appears to have stolen its wind!! (BUT watch out Affinity, because you're massive current success has come thanks to a total dedication to a single platform and a unique opportunity. I was hoping this new alternative would be Affinity DAM this year, but it would seem this is not going to happen. So I'm hobbling along with a Mac on an old OS until something better comes along. As a DAM, it is not as fine a piece of software as Aperture *was*. I have used Aperture since its introduction and have tried Lr 3 times, most recently this last couple of months. I am also very keen to see an Affinity DAM. Speaking of foundation, Team Affinity, could you come up with a superior perspective tool for Designer, much like Epic Games' Carapace?Īlso, release the beta versions for iPad already! Can't wait! (I personally wouldn't want a DAM that's unnecessarily bloated in features.)Īn Affinity DAM can wait, in my opinion, because fine-tuning the first three core apps would mean a robust foundation which everyone can be proud of. Photo: an app that does both RAW and image edits and a DAM: an app that catalogs/maintains files in a superior fashion. It's more sensible to have two apps working seamlessly together in this manner: I do feel you guys may have a better approach to the way how creatives would work. Hi Team Affinity, first of all, congrats on the massive effort with the applications that you guys created! The community is forever indebted. We already announced plans for an Affinity DAM software which will work seamlessly with Affinity Photo. Affinity Photo is both a RAW developer and photo editor. It's editing tools are not up to what Photoshop offers. Lightroom is not a photo editor but a RAW developer.